Were there any
particular mentor texts that inspired you in the creation of Hedgehog Needs
a Hug (or any other upcoming books)?
Yes! I’d gotten
to a point in my manuscript where the basic text on each page was there, but it
needed a lot of polishing. My agent told me to work on showing emotion, without
telling it. For example, an early draft of the story said “Hedgehog woke up
feeling blue.” It later became “When Hedgehog awoke in his cozy nest, he felt
down in the snout and droopy in the prickles.” As an
author-illustrator I had to find the right balance between showing the emotion
in the images and showing it in the text, and I tend to rely too heavily on the
images, when sometimes a few additional words can make a big difference.
I looked
closely at three books to learn more about emotive writing: Bear Has a Story to Tell, City Dog, Country Frog, and A Visitor for Bear. Each book taught me
something different:
Bear Has A Story to Tell written by
Phillip Stead and illustrated by Erin SteadHe sat up straight and cleared his throat. He puffed out his chest, and with
all of his friends listening… Bear could not remember his story. "It was
such a good story," he said, hanging his head. – Bear Has a
Story to Tell
Bear Has a Story To Tell uses descriptions of
physical posture to signal how the character feels. While some of this can be
shown in the illustrations, these descriptions add a layer that might not
otherwise come across.
City Dog Country Frog: written by Mo
Willems and Illustrated by Jon J. Muth
Country Frog took
a deep breath. "I am a tired frog,"
replied Country Frog. "Maybe we can play remember-ing games."
City dog and Country Frog sat together on the rock. – City Dog,
Country Frog
The emotive language in this book
is so subtle – and it’s a story about death. There were just a few descriptions
like, “taking a deep breath,” or “he sighed”. Otherwise it involved word choice
of using words like remember, tired, or together to imply the impending
separation.
A Visitor for Bear written by
Bonny Becker and illustrated by Kady MacDonald Denton
Verbs used in
this story: Wailed, Roared, Ventured, Commanded, Rumbled, Murmured, Blubbered,
Sniffled, Exclaimed, Cried, Agreed. All these words have so much more emotion
than simply using “said.”
It is often much
easier for me to see a problem in my text than it is for me to know how to fix
it. But these mentor texts gave me a handle on techniques I could use to add
emotional depth to the manuscript. There is a scene where Hedgehog approaches
Turtle to ask for a hug, and Turtle is asleep. In my original manuscript there
was no real text, just “Zzzzzzzz”. That became:
“Hedgehog trudged over to Turtle’s sun soaked
resting spot. “Turtle?”
“Zzzzzzz”
“Nevermind,”
Hedgehog sighed, and he shuffled away.
What do you feel
is the BEST way for picture book writers to utilize mentor texts?
I think there are two ways I approach mentor
texts: general and specific, and I think both are beneficial. General: I often
pick up picture books I’ve seen online or at random and just read – this helps
me 1) be aware of the current market, 2) have a subconscious feel for the type
and structure of story that works, and 3) is just fun. Specific: often I have a
problem that I’m actively working on – like using emotional language. And
so I’ll go hunting for books that showcase that skill, and I’ll study the words
in more depth. These books I’ll type out – copy the entire manuscript – because
it’s easier for me to concentrate on the words that way. You can’t go wrong
immersing yourself in picture books!
Jen Betton loves to draw and write stories for kids! In Kindergarten she got into trouble for drawing presents on a picture of Santa, and has been illustrating ever since. Her picture books include, HEDGEHOG NEEDS A HUG, her debut as an author-illustrator, published with Penguin-Putnam, and TWILIGHT CHANT, written by Holly Thompson, published with Clarion. She lives in Dallas with her family, and you can see more of her work at www.jenbetton.com
These are great examples of showing emotion. Thanks, Jen!
ReplyDeleteThanks Tina! So glad they were helpful!
DeleteThis is such a great post! Thanks for sharing, Jen. Congratulations on Hedgehog Needs a Hug! Can't wait to read it.
ReplyDeleteThank you Rita! I'm glad you enjoyed the post.
DeleteWhat a beautiful book. Congrats! And thanks for sharing some of your process with us.
ReplyDeleteThanks Marty!
DeleteThanks for joining us on ReFoReMo, Jen!!!! ADORE your book!
ReplyDeleteYay!!!! Thank you for having me - such a great resource!! So pleased to be able to contribute to it.
DeleteThis mentor text post is easy to understand and packed full of good examples to work from in our own writing.
ReplyDeleteThanks Sherri! I'm glad the examples were helpful!
DeleteWhat a sweet premise. And I always struggle showing emotion through words too. You have great examples. It is interesting that an author/illustrator goes through this. I always figured if I was an illustrator (which I'm not) I could just draw it, so I'm surprised that's not the case. I love the droopy prickles. You nailed it. And the hat is precious. Can't wait to read your book. Thanks for the insights.
ReplyDeleteI know, I always think I can just show it in the pictures!!! But it makes it sooo much better when I add emotion to the words, too! Glad you enjoyed the examples.
DeleteSuper choices, here, for emotion. My fave is CITY DOG, COUNTRY FROG. I adore that book. Yours looks fabulous, too. Ty for a great mentor lesson and congrats on HEDGEHOG.
ReplyDeleteIsn't CITY DOG such a sweet book - totally made me tear up the first time! And thank you!
DeleteReally helpful post, Jen! Thanks!
ReplyDeleteThank you!
DeleteThank you, Jen, for sharing your insight and mentor texts that helped you create the emotion in your new book. I'm looking forward to reading it :)
ReplyDeleteThanks Charlotte! I hope you enjoy the book!
DeleteGreat post! I love that you showed exactly how mentor texts guided the revisions of your own PB!
ReplyDeleteCouldn't have done it without mentor texts!
DeleteGreat post... huge fan of all your mentor text choices and will go reread as I am just crafting some emotive text now!
ReplyDeleteI love these books - hope they help you too!
DeleteLove that you provided us with the mentor texts you used, Jen...and told us what each provided. It was really eye-opening to read about the words that were used instead of 'said'...I can't tell you how many times I've heard pros instruct us to use only 'said' and 'ask' as speech tags. But obviously, other verbs can sometimes be used with great effect! THANK YOU!!!
ReplyDeleteYay! Glad it was helpful! Yes, reading A VISITOR FOR BEAR is such a manual of alternatives for "said"!!
DeleteWow this is amazingly helpful with a ms I am working on. Thank you so much!
ReplyDeleteSo glad it was helpful!
DeleteExcellent post Jen. Love your examples and explanations.
ReplyDeleteThank you!
DeleteSuch a great read, Jen - thank you! And your book looks and sounds beautiful! That image of Hedgehog with his paws on his head is delicious. :)
ReplyDeleteThank you Emma - glad you like it! And that picture is one of my favorites from the book.
DeleteExcellent examples! Your sharing brought to mind a project I'm working on. Someone suggested I take OUT similar words used in your examples. Glad that I decided to ignore that suggestion! Thank you!
ReplyDeleteThanks for these great examples, Jen. They really show how altering text makes such a difference. Especially the turtle scene.
ReplyDeleteIt's fascinating that as an author-illustrator, you lean heavily on your images to tell the story, vs the text itself. Alas, my stick figures are pretty un-emotive :)I'll definitely check out the books you mentioned above, too. Can't wait to read Hedgehog!
ReplyDeleteThanks for sharing your mentor texts for bringing more emotion into your work.
ReplyDelete